My work is rooted in the interior. I am interested in how the psychological becomes visual—how memory, repression, and identity manifest in image and gesture. I create to name things, especially the things that resist naming. Sculpture allows me to build and undo structures of meaning; photography lets me catch tension in a split second, to frame what feels off, in flux, or half-forgotten. Both mediums let me move between the seen and the sensed.

I am preoccupied with the self—not as ego, but as meditation.






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